1. Let’s assume you are an ‘abcedminded’ human reader like the one Joyce anticipates in Finnegans Wake (1939): trained in the Latinate writing system and existentially immersed primarily in the English language and at least one of its many cultures. For you, the text above is unreadable. In what sense?
Not illegible, as if you’re encountering something badly digitized.
Not boring, as if it is insufficiently engaging.
Not inscrutable, as if this is a gnomic remark.
Not corrupted, as if you’re an AI machine blocked from extracting scrambled data.
Unreadable for you in the sense that the writing is inaccessible, whether seen as a string of letters making up individual words, as graphemes representing phonemes, or as meaningful phoneme-grapheme complexes. Perhaps, after a bit, you start discerning individual letter-shapes (ও, say or, ত), then noticing spaces between the words (making the first line 5 words), maybe you even infer from the layout (title and 4 lines) that this is probably a poem. Bear in mind that readers trained in this language and script would grasp all these things as readily as you, and they, might read the expression in this 😊.
2. Given the advances in machine translation, especially since the deep learning revolution of the 2010s, you need not of course feel at a loss for too long. You could begin by turning to Google translate, which, after automatically detecting Bengali, currently offers this translation:
Scripture reading
Search the scriptures as much as you can.
Be thou the world’s learned head.
If there is no love for God.
As much as you read, as much as you listen, nothing.
If you listen to Google’s female AI voicing of the original, you may pick up the rhymes, which make pairs of the four lines (aa, bb), contributing to the poem’s simple song-, even nursery-rhyme-like, sound in Bengali (none of which makes the transfer to Google English).
3. There are options other than Google, however. Though Deep-L, which claims to be ‘the world’s most accurate translator’, doesn’t currently support Bengali, GPT-3, the latest (2020) iteration of OpenAI’s powerful text generating language model, had no difficulty with the task, given the simple prompt ‘Translate this into English.’
Science Class
Do as much research as you can.
Be the chief of the world, the head of the scholars.
If there is no love for God, nothing is learned.
No matter how much is read and heard, nothing is known.
Subsequent regenerations produced ‘You are the Earth’s chief Pandit’ for the second line, and ‘No matter how much you study or listen, it won’t help’ for the last.
4. So how do the latest machines compare to human translators? As it happens, the English-language Indian poet Arvind Krishna Mehrotra has recently been collaborating with the Indian scholar Rosinka Chaudhuri on a project to bring a series of poems by the 19th-century Bengali poet Ishwar Gupta (1812-59) into English for the first time, including শাস্ত্রপাঠ (Sastrapath), which they render as ‘Reading Scriptures.’ The collaboration involved an extended email correspondence and an iterative process of drafting and redrafting, producing 10 English versions in all. I’ll focus on Chaudhuri’s literal rendering of the original Bengali (A), which Mehrotra (who has Hindi but not Bengali) then used as the basis for the evolving English drafts, the last of which (J) appears below the literal version.
A. Search for the [meaning of] the shastras as much as you want
Become the Chief Pandit of the world.
If you have no love for Iswar [however]
What you read, what you hear, comes to nothing at all.
(Chaudhuri)J. Pore over scriptures as much as you want,
become chief of pundits,
but without Ishwar in your heart
what you read, what you listen to, comes to naught.
(Chaudhuri/Mehrotra)
Much can be said about the many large and small choices made in the process of turning A into J (for all the versions see below). Most notable, especially in comparison with the Google and GPT-3 versions, are the desire to find a viable contemporary English idiom/voice, the incorporation of rhyme, now simplified as a(a)aa, and the conspicuous decision to keep ‘Is(h)war’ (pronounced ‘Ishwor’). As the translators explain in a footnote to the published version, Gupta was punning on his first name as ‘Ishwar means “god” in Bengali as well as in most North Indian languages.’ They could have added that Gupta means ‘hidden’ and ‘secret’ in Sanskrit, giving him more scope for mischievous play on his name (‘secret God’).
5. Do these differences matter? In a fundamental, deeply philosophical sense, yes because they tell us something about the ways in which (written) languages exist as vast digital corpora for the likes of Google and GPT-3 and as highly individual, historically lived experiences for the humans for whom the process of translating a 19th-century Bengali poem today is as much a cultural as it is a linguistic challenge.
6. Despite all the progress made in the last decade, the machines still cannot manage the playful equivocation at the heart of ‘Reading Scriptures’. Yet it is not as if they escape the cultural challenges of translation, treating it simply as a rule-governed linguistic process, finding statistical correspondences between written languages, for example. Inevitably, since there is no culture-free language, their correlations have cultural consequences too.
6.1 For the machines, ‘Reading Scriptures’ is a relatively uncomplicated devotional poem, something like a Bengali/Hindu version of 2 Corinthians 3:6: a warning to pundits/Pharisees who fail to grasp the true/living ‘spirit’ of religious piety because they are too preoccupied with the superficial/dead ‘letter.’ The Sanskrit word ‘shastra’ (scripture) neatly captures the blend of ‘manual, book, or treatise’ and ‘rule, law, or precept’, as in the English phrase ‘letter of the law’.
6.2 By contrast, for Chaudhuri and Mehrotra, these four lines constitute a knowingly crafted, even crafty example of a double poem which is devotional, like 2 Cor. 3:6, and anti-devotional, like Finnegans Wake. Without Ishwar in your heart, Gupta, the modernizing, satirical, very idiosyncratic Hindu-reformer and sly poetic celebrator of earthly life, says, referring not to God but to his own poetic oeuvre, anything you learn through reading or listening will amount to nothing. In short, it is not the divine spirt of the shastras/scriptures but the endlessly generative, secular letter, as practised by Gupta and later Joyce, that giveth life.
7. As this example shows, we still need human translators to see this. By contrast, the machines’ linguistic correlations confirm Douglas Summers-Hay’s apt description of GPT-3 as ‘an improv actor who…has never left home but only read about the world in books.’ Will this always be the case? Your guess is as good as mine, though, as we learn more about the way languages (and writing) evolve digitally and bio-culturally, I suspect differences will always remain, even as the boundaries become increasingly blurred.
___________________________________
Thanks to Arvind Krishna Mehrotra and Rosinka Chaudhuri for permission to reproduce their draft translations of ‘Reading Scriptures’ here. You may not reproduce them without seeking further permission. If you wish to quote them for academic purposes, please reference this post. Their workings are especially valuable, as these are impossible to track in deep learning AI systems. Their workings remain a mystery, even for their creators.
For more about Ishwar Gupta, see Rosinka Chaudhuri, The Literary Thing: History, Poetry and the Making of a Modern Literary Culture (Oxford University Press, 2013; Peter Lang, 2014), especially chapter 2.
For more examples of Mehrotra’s creative-translation work, see his Collected Poems (Shearsman Books, 2022) and Ghalib: A Diary (New Walk, 2022), the latter is an original poem based in part on a translation.
For more on GPT-3, see Gary Marcus and Ernest Davis, ‘GPT-3, Bloviator: OpenAI’s language generator has no idea what it’s talking about‘, MIT Technology Review, 22 August 2020; and Luciano Floridi and Massimo Chiriatti Massimo, ‘GPT‐3: Its Nature, Scope, Limits, and Consequences‘, 1 November 2020, revised March 2022.
Drafts
Sastrapath (Romanized version)
Lao tume jata paro śastrer sandhan,
Hao tumi prithibir, pandit pradhan.
Iswarer prati jadi, prem nahi roy
Jata para, jata śuno, kichhu kichhu noy.
Reading the Scriptures (literal)
A. Search for the [meaning of] the shastras as much as you want
Become the Chief Pandit of the world.
If you have no love for Iswar [however]
What you read, what you hear, comes to nothing at all.
Reading Scriptures
B. Look for meaning in scriptures as much as you want,
Become Head Pundit to the world,
But if you have no love for Ishwar,
What you read and what you hear will come to nought.
C. Read scriptures as much as you want/like,
become chief of pundits,
but without Ishwar in your heart
what you read, what you listen, comes to nought.
D. Read scriptures for all it’s worth,
become chief of pundits,
but if you don’t have Ishwar in your heart
what you read, what you listen, comes to nought.
E. Pore over scriptures for all they’re worth,
become chief pundit to the world,
but if you don’t have Ishwar in your heart
what you read, what you listen, comes to nought.
F. Pore over scriptures for all they’re worth,
become chief pundit to the world,
but if you don’t have Ishwar in your heart
everything that you read or listen comes to nought.
G. Pore over scriptures for all they’re worth,
become chief pundit to the world,
but unless there’s Ishwar in your heart
but unless Ishwar resides in your heart
everything that you read or listen comes to nought.
H. Pore over scriptures as much as you want,
become chief pundit to the world,
but unless Ishwar resides in your heart
but if Ishwar doesn’t reside in your heart
everything that you read or listen comes to nothing.
I. Pore over scriptures as much as you want,
become chief pundit to the world,
but if Ishwar doesn’t reside in your heart
everything that you read or listen comes to nothing.
J. Pore over scriptures as much as you want,
become chief of pundits,
but without Ishwar in your heart
what you read, what you listen to, comes to nought.
Artefacts of Writing 